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Showing posts with label new writers. Show all posts
Showing posts with label new writers. Show all posts

Monday, 22 September 2008

Report on Kenilworth Book Signing


On 13th September 2008 I attended a book signing at Kenilworth library. The event was covered by the Kenilworth Weekly News. Please see a scan of the article below. Unfortunately the interview was conducted over the telephone, which meant some of the more confusing details regarding my book got a little muddled. Matters often get confused when I am promoting the book in Warwickshire due to the fact that Sam Lockhart, the brother of Salt and Sauce's most famous trainer, was a celebrity in Leamington Spa with his elephants.

Friday, 18 July 2008

Signing and Review Updates


My parents' private zoo will be, for the first time ever, holding an Open Day for the general public to view their facilities on 21st August. Signed copies of "The Legend of Salt and Sauce" will be on sale, and my father and I will be on hand to answer questions. For further details on this exclusive event please call 07743905852.
We also have details of a signing in Wolverhampton, once home to Salt and Sauce, where I hope to meet residents who saw the two magnificent elephants walking their streets. Details below supplied by Ned Williams:
'13th November 2008: "Wolverhampton's Elephants"- the amazing story of Salt and Sauce....will be presented on Thursday 13th November at 6.30.pm at the Light House Cinema, Wolverhampton, byJamie and Jim Clubb, authors of a new book on the subject.The event is jointly presented by the Black Country Society and the Wolverhampton History & Heritage Society and will be chaired by Ned Williams, President of the BCS.The evening will include visual material, hopefully including material on film relating to circus elephants.Admission (at the door) £1'.

And finally the 1st July edition of "Circus Report", an American publication, has a glowing review of "The Legend of Salt and Sauce" by Don Stacey. Stacey said "I can't rate this book highly enough" and praised my father and my "meticulous research". Hopefully this will generate interest in the USA where the tradition of elephant training is now much stronger than it is in the UK.

Wednesday, 21 May 2008

No Absolutes!


When I first made the decision that my story, "The Legend of Salt and Sauce", was going to be a book I thought it would be finished by 2002. Sure enough, by this time we had enough information to produce the life story of these two famous elephants. We knew where they started off, the names of all their owners, how one of them died and, so we thought, how the other died. We also had some good photos. However, as I sent off my proposals to various publishers we started to uncover yet more information. The story changed - not only the content, but my writing style too. As time went on I started hearing words of advice like "you must have a cut off point" - mind you, this was coming from someone who had surpassed Dr. Johnson's ten years in writing his book and five years on he still hasn't had it published! I began to realize that writing an historical book despite having its strict parameters was a completely organic process and one where it was not easy to estimate when its "life" would end.
As time went on I met some terrific writing coaches who helped me develop my writing style. As in the writing of any book, a huge amount of time was put into refining my writing style and then into editing. Please read my friend Geoff Thompson's philosophical article on this particular area, "There is No Such Thing as a Locked Script" http://www.geoffthompson.com/detailArticles.asp?id=86 My book changed from its initial conception, as a type of "Pulp Non-Fiction" (this style is retained in the book's prologue), to being a first person narrative of my father and my investigation into the story of Salt and Sauce (this is retained in the book's footnotes, introduction and afterward), and then finally into the book that it is today - a straightforward fact-based biography. The people who enabled me to take this route were Jonathan Burt, a social historian and author, Laura Longrigg, a literary agent who noticed that I had become infected by the Victorian writing style of the material I had been researching, and Ian Lewis, a retired teacher who did a tremendous amount of kind work for me.
Now, this is just the writing side of things. The trouble with history is that the content is also very temperamental. New evidence crops up all the time. And it was this side of things that became a constant source of jubilation and frustration. By October 2007 I was happy that I had researched all that needed to be researched. I had covered every important area of the elephants' lives that needed to be covered and I had all my sources noted and verified as far as practicable. The story was completely finished. I was happy with how it read. Now my father and I were completing the final tasks. We were listing all the photographs, putting a timeline together for the elephants lives and writing the introduction and afterward. We had a deadline and we were assembling everything to be sent off on time. The book was scheduled to be published by March with the first proofs through by January. Then, the emails came in. Emails from family connected to people who had owned the elephants. These people had more information that filled in gaps, presented new interesting and related anecdotes, and even new photographs. They had to go into the book.I worked hard to include the new material and photographs and still felt that I would make the deadline. As it turned out my publisher moved the deadline back, so I need not had worried at that time. After doing all this I began work on this blog with the very kind help and coaching of historian/author, Heather Vallance of http://www.penandspindle.blogspot.com/ I also started promoting elsewhere to garner local support. The next thing I knew Robin Stott a local historian was in contact with me regarding Sam Lockhart, the elephant training brother of George Lockhart, one time owner of Salt and Sauce. He gave me more information for my appendix on Sam, which I hurriedly included and begged my publisher to include. It made it to him on the eleventh hour. I sent Robin my completed appendix, but there was yet more information he had and a few errors in the appendix. This time my publisher could not allow it and this will be reserved for the second edition of the book.In my introduction to "The Legend of Salt and Sauce" I wrote that my book was not intended to be the "final word" on the lives of Salt and Sauce. Now I realize the weight of that statement. Over the past two years I have become more sceptical in my nature, which has been quite a liberating process. I have come to understand something that I have pondered for most of my life: there are rarely any absolutes in anything. It is a bitter pill for many people to swallow, but when you are in the field of history or science it is essential that you understand that research goes on and that even so-called facts are temporary conclusions. We need to embrace the idea that our work will attract constructive critics who will add to our research and present new information.
I carry this same concept over to my martial arts/self-defence classes. By not listing any techniques in my grading syllabus we have created an atmosphere of constant questioning, researching, testing and individualistic development. Nature seems to tell us that everything changes and develops or it dies. The same goes with history and science, however, this changing should only happen through objective research and the presence empirical evidence. Therefore it is fine to say "that's just a theory", but the theory with the most evidence temporally prevails.
The human desire for knowledge, however, is all too often checked by the human desire for assurance. This is why it is very easy for scientists, historians, religious people, politicians, philosophers and academics of all descriptions to rest on their laurels or become immovable in the face contradictory evidence. The same passion that drives assurance appears to be similar to the passion that drives belief in the improbable. Conspiracy theorists, alternative historians, pseudoscientists and their ilk are all driven by the need of wanting something to be true. We can all empathise with this feeling, so we should perhaps be a little wary of being too scornful of such "believers". I doubt there are many people who hear about the latest reports from Mars and don't get excited about the idea of there perhaps being "signs of life" - anything, please, a fossil of an amoeba will do.
However, being sceptical and accepting the concept of change is exciting too. In fact, it is through this questioning and progressing procedure that exciting prospects and new levels of awareness are initiated. An old maxim of mine was "love the flower but respect the root" and now I see that perhaps I might become a root. I remember getting quite frustrated with a lot of my original sources - books like George Lockhart Jnr's "Grey Titan" - and say "this bloody thing led me completely down the wrong road altogether". However, looking back it did present me with some fairly sturdy facts that actually gave some structure and helped fill the first third of the book - which doesn't even cover a decade - with vivid first hand accounts that were rarely equalled. There may come a day when an historian, who is interested in the areas of my research, picks up a copy of "The Legend of Salt and Sauce" and says "look how far we've come on from this". Putting my ego to one side that is a day the true historian in me wants to happen.

Saturday, 22 December 2007

Ivor Rosaire: Hero of "The Legend of Salt and Sauce"


The 24th December 2007 marks the second anniversary of the death of Ivor Rosaire, a legendary figure in the circus world and a key character in my book “The Legend of Salt and Sauce”.

In 2002 I finally made the decision to meet Ivor Rosaire. Ivor was the last living person to have been involved in the presenting and training of Salt and Sauce the elephants, the focus of my book “The Legend of Salt and Sauce”. By all accounts he was an extraordinary individual, even by the standards of his profession and the circus family he was born in to. According to the author, Rupert Croft-Cooke, who spent a great deal of time on the Rosaire’s Circus and wrote three books on the family; Ivor was “the best showman of Rosaire’s Circus. Confident, with a little amiable vanity, as though he is aware that women in the audience consider him a handsome fellow, he yet succeeds in getting everyone’s attention for Salt and Saucy, who move with trundling certainty through their series of tricks. They stand on two legs, squat on their vast haunches, and one of them, to the delight and alarm of the audience, carries Ida round the ring in her mouth. Ivor, in breeches and a sun-helmet, directs them coolly and takes his applause as his two lumbering charges leave the ring”.

My father and I went to visit Ivor when he was still living at Billericay at the Rosaire’s old circus winter quarters, now the permanent home of his niece Joan, a hugely respected horse trainer in her own right. Joan set the meeting up for Dad and me. Dad knew “uncle” Ivor, as did most circus people of his generation. Ivor had always been seen as dynamic figure in the circus world. He was known to be very amiable and with a good sense of humour, but also a straight talker and a tremendous fighter. He and his brothers had boxed in the circus ring since the age of eight, often having to fight each other when no other youngsters came forward for a bout – this would have been in the very early 1920s.

After settling down to tea with Joan, a loud and expressive voice heralded the arrival of Uncle Ivor. My first impression of him was of a man who had lived life to full and, now in his nineties, had no intention of letting anything get in his way. He had recently broken his hip, but this did little to worry him. His walk was confident, even if slippers adorned his feet. He was smartly turned out. “Do you like my shirt?” he asked not long after we exchanged greetings. It was in the cowboy style, a fashion very common with circus artistes throughout the Salt and Sauce era. His long grey hair was pulled back into a ponytail: “I am an old age pensioner”, he proclaimed in defiance, “and they wanted to charge me £9”. After a few jokes and the obligatory teasing that goes on amongst any close-knit culture, we got onto the business of the interview, the full results of which you can read in “The Legend of Salt and Sauce”.

Here is a short excerpt:

“Ivor Rosaire was born on 8th July 1911 in Pontefract, where Rosaire’s Circus was showing. Ivor grew up into a proud, powerfully built, chestnut haired man who seemed as much at home walking into an acrobatic act, stripped to the waist, as he did when immaculately attired in safari style breeches, long boots, shirt and pith helmet. e was never photographed in the circus ring nor on stage without a confident showman’s smile stretched across his face. It was such charisma that made him shine out even among his colourful signally impressive brothers and sisters.

He claimed he was never taught anything in his life. The only person he ever credited for influencing him in any way was Jimmy Fossett, who was the son of the original ‘Sir’ Robert Fossett, the founder of Sir Robert Fossett’s Circus. Ivor claimed Fossett had helped get him over his hesitation in throwing a back somersault off a table”.

Ivor was already an accomplished artiste by the time John “Broncho Bill” Swallow joined Rosaire’s circus as a business partner in 1933. Swallow brought along his two elephants as a major incentive to help the small family circus grow, one of the very few things left over from the weekend he auctioned off his circus in 1930. Before Swallow joined Rosaire’s Circus they had been an almost completely family-run enterprise with members of the family working in nearly every single act. This was the way Rosaire’s circus had formed. The “Count” and his “Countess” had grown their circus from a small sideshow act, appearing in music halls and on fairs into a full family affair, bringing all their children up in their enterprise. They had suffered incredible hardships, losing plenty through the First World War, but had persevered and attracted the attention of two very notable authors, Ruth Manning-Sanders and Rupert Croft-Cooke, both who spent a considerable amount of time living on their show.

Ivor took over the handling of Salt and Sauce when one of John Swallow’s grooms left his employ to start a family – in fact, according to Uncle Ivor, the family had already started ahead of time and the groom had to rush back home and do the decent thing! It wasn’t long before Ivor was presenting the act, as Swallow’s health deteriorated and he lost his main presenter the South African sharpshooter, Charles Van Niekirk. Presenting and eventually training elephants would become Ivor’s niche. He always remembered Salt and Sauce as his favourite elephants, even after the day Salt killed one of her grooms in 1937. Ivor also influenced John Swallow to adopt a new routine for Salt and Sauce to perform: the tableau act. This classy performance involving dancing girls (Ivor’s sisters and later Clara Paulo) had been inspired by an act given by Charles Schmidt at the Agricultural Hall Islington.

Not long after Swallow left Rosaire’s Circus, Ivor joined him on Paulo’s Circus in 1939 and continued presenting the elephants before his papers came in and he was sent to fight in the Second World War. Ivor was made a sergeant and a PT instructor. However, he was to see Salt and Sauce again. After being discharged he worked in a barrel act (an acrobatic number) on his parents’ show before being employed by “Long” Tom Fossett to bring his old friends out of retirement. John Swallow had died in 1945 and his elephants had passed to his son who donated them to Dudley Zoo. For a year they had stayed at the zoo, where no-one had been able to handle them and legends amount their infamy had spread. Then Tom Fossett had decided to bring them back out on the road again. He bought them from Dudley Zoo and Ivor Rosaire was brought in take them back through their old routines. It was a successful move and Ivor presented them on Fossett’s Ringland’s Circus before Tom Fossett’s son, Dennis took over.

From the postscript of “The Legend of Salt and Sauce”:

“[Ivor] went back to work with his sister Zena again in 1948 as a barrel jumper in the act “Jumping Ross and Partner”. He also became a part of the aerial act, “The Flying Desmonds” that same year. His skills as an elephant trainer were required again when Chipperfield’s Circus booked him that Christmas at Bingley Hall in Birmingham. He took the group on the continent for the next three years and worked with Chipperfields in England until 1954. During his time there he worked an act of sixteen elephants and also, at one time, a group of five bull elephants. In 1957 he was back working for another branch of the Fossett family presenting five elephants. Their show was known as ‘Sir Robert Fossett’s Circus’. He worked there until 1965.

This act became one of Britain’s most famous elephant acts and Ivor one of Europe’s most celebrated elephant presenters. Knowsley Safari Park called upon his skills and knowledge in elephant care some years later. He eventually retired to Billericay, Essex when his wife, Lucy, became ill. He celebrated his ninetieth birthday in 2001. He won the Circus Friends Association Lifetime Achievement Award that very same year. In 2003 he was interviewed at the Circus Friends Association’s annual general meeting, where he gave a talk in front of a packed house on his experiences with elephants.

He later broke his hip and moved to live in a nursing home close to his daughter, Juliet, in South Harrow. Despite suffering a few health problems, Ivor continued to be a stubbornly independent and a hugely respected man in the circus industry. He eventually died on Christmas Eve 2005”.

I feel very privileged to have met Ivor Rosaire. He was the only person I have seen who corrected my father – “shoulders back!” was his remark to Dad just before we went to leave Billericay. Dad laughed and agreed he needed to work on his posture. A year later I would feel like a bodyguard to “Uncle” Ivor at the Circus Friends Association AGM. We had our only photograph taken together, where I too sported a ponytail – it was purely a coincidence (the hairstyle was a leftover from when I presented my Gothic martial arts act), but it felt like a type of tribute to this heroic figure in the circus world. Looking at the lawn outside the venue where the photograph was taken, on a sunny day, Ivor remarked “a few years ago and I’d have thrown a roundoff/flipflap/back somersault over there”. It was a sweet reminiscence, but I never felt that Ivor neglected the present. At the time of the interview Ivor had already been training his granddaughter tumbling and a year previously he had visited his brother Derrick in America. Ivor Rosaire was an example to us all, a man who exemplified Timothy Leary’s “correspondence theory”: he lived for the present, eyes towards the future, but with a firm grasp on his past.