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Showing posts with label salt and sauce. Show all posts
Showing posts with label salt and sauce. Show all posts

Thursday, 25 September 2014

Salt and Sauce in London?

My attention was recently brought to the website of the long established and renowned Circus History Society in the USA.  A message had been posted up their message enquiring after the identities and verification of two elephants who temporally lived in London.

 4417. Elephants WWII, 22 Sep 2014 - I know this might sound ridiculous, but I believe it to be true. I am not sure whether it was during the war or just after. I was child then, but two circus elephants were housed in garages in Hendon Park Row, Temple Fortune, London NW11. Our flat overlooked the garages and I do remember this - once I even knew the names of the elephants! People don't believe me though and I would like to authentic this. I think they were from Billy Smart's Circus, but I could be wrong. I guess circus animals were housed somewhere safe during the war, although bombs dropped nearby because of the proximity of Hendon Aerodrome. Would anyone have a record of circus animals' whereabouts at that time? I hope you can help, kind regards, Jean Hall (Mrs)

Friday, 12 September 2014

The Mystery of the Elephant Skeleton






One of the many mysteries that I encountered when I began my research into the story of Salt and Sauce the elephants was the nature of the disease that infected their original group. Now a recently published article in volume 17, issue 3 of the journal, "Veterinary History", might shed some light on this subject. 

Monday, 28 July 2014

War Elephants Myth Debunked

Heads of asian and african elephants
Heads of asian and african elephants (Photo credit: Wikipedia)
I appreciate I am very late in here, but I was going through my archive emails and noticed this interesting piece of history. When I began collating my various pieces of research together and got down to writing my book, "The Legend of Salt and Sauce", I was immediately struck by how linked my story was to the history of domesticated elephants. Salt and Sauce were part of George Lockhart Snr's second group of elephants. Both he and his younger brothers (Sam and Harry) had established their reputations as elephant trainers, and the world of the turn of 20th century was abuzz with elephant acts. The methods being employed to create these performances had their roots tied up in the domestication of Asian elephants. African elephants were trained too and would also become popular much later in the 20th century, but at the time they did not have good a reputation for domestication.

Monday, 14 July 2014

The Legend of Salt and Sauce Third Edition!


I hope this post isn't premature, but I have finally got round to looking into producing the third edition of "The Legend of Salt and Sauce". At this present time I am going back through my research and contacting the various people who helped my father and I in the development of the book. If anyone reading this blog can assist, please do not hesitate in emailing me. I hope to include new contemporary illustrations and photographs of the various elephants mentioned in the book as well various writing revisions and hopefully some new information. This time I wish the book to be available in electronic format as well as printed form, allowing it to stay print.

Friday, 9 May 2014

Dame Laura Knight's Salt and Saucy

 Recently I was delighted to finally see Dame Laura Knight's etching of Salt and Sauce, entitled Salt and Saucy at Islington Hall. The picture is documented in my book, The Legend of Salt and Sauce, but this is the first time I have seen the actual etching. To the best of my knowledge, this is the only piece of art based on or inspired by Salt and Sauce besides the various writings that mention them (Rupert Croft-Cooke, George Lockhart Jnr, Ruth Manning-Sanders and Sir Garrard Tyrwhitt-Drake). 

Thursday, 6 September 2012

Gentleman of the Circus - Remembering Ken MacManus



Reading through the sad but beautifully written eulogy/obituary of Ken MacManus by Samanatha Cartmel (John Darnell's girlfriend. John also contributed to the piece), I cannot begin to explain how strange it feels to have arrived at this time. I was shocked at the feeling of losing someone who was a big part of my growing up. These people seem somehow eternal. Ken was a dear friend of my parents' back when they ran their own circus in the late '70s and early '80s. Ken was part of the Mohawks riding act and later became our ringmaster.


Thursday, 2 August 2012

Death of a Lion "tamer" on Ringland's Circus 1950

Seems like an age since I last posted on here. An email came in from my cousin Jim Stockley recently regarding some circus history relating to the elephants Salt and Sauce. He forwarded us this enquiry left on the Circus History website.

 Lion tamer 1960s, 01 Aug 2012 - I am trying to trace the name and date of death of a lion tamer that was killed in the ring in a circus in the United Kingdom in the sixties. The details I have are vague, but there is a background and a reason for trying to find out. My mother recently passed away and I know that although she got engaged to my father in 1964, they had unknowingly been at the same circus performance a few years earlier where the lion-tamer had got killed. I do not know the exact year - I guess it must have been after 1960 - and it would have been in the Midlands of the UK, probably Birmingham or Wolverhampton. Any ideas? Can you help from such vague information?

Thursday, 30 September 2010

Passport to yesterday? The Trefoil Guild and exploring the "other country"

With “The Legend of Salt and Sauce” now reaching its second edition’s second anniversary, it has been a little while now since I have attended any signings. Therefore my father and I were delighted to visit the Trefoil Guild to give a one hour talk and PowerPoint presentation on our book. When we launched the first edition of the book it was in front of the Circus Friends Association. When we launched the second edition it was in front of the Wolverhampton Historical Society. Both institutions obviously had a strong interest in the subject. On other occasions we have done signings for zoo enthusiasts and historians who were either interested in the general subject of performing animals in music halls, zoos and circuses or in how the legend of these two elephants impacted on their locality. However, from time to time we get requests from societies – like the Ladies Probus Club – who booked us on the basis of the unusual quality of our subject. The Trefoil Club was this sort of booking.
It is always interesting to not only help bring people’s memories alive again – some of our audience members were into their 80s – but also to listen to their accounts of the times I only know through researching documents, books, photographs and newspaper articles. The era Salt and Sauce lived in was one that dramatically changed around the time their demise thus helping to condemn these once exceptionally well-known elephants to the “forgotten history” archives. Although none of those who attended our talk remembered these elephants - despite one contemporary author quoted in my book calling them the most famous elephants of their time - they did have very fond memories of my family’s elephants. One lady even had several photographs she had published taken in the early ‘60s of my family’s elephants being walked from the now non-existent Chipping Norton station. Despite being interested and buying plenty of copies of our book, much of the discussion and questions centred on my father’s involvement with my grandparents’ large number of elephants.

Friday, 13 February 2009

Review by CFZ



A kind review of my first book,"The Legend of Salt and Sauce", was published in the most unlikely of places, issue 44 of "Animals and Men" last summer. The magazine is connected to the Fortean group and has a website http://www.cfz.org.uk/ dealing in zoology and cryptozoology. Being a sceptic the last time I read about the Forteans was in the now classic "Fads and Fallacies" written by Martin Gardener.

Fads and Fallacies in the Name of ScienceImage via Wikipedia

Nevertheless, I also used to read Fortean Times and was often impressed by their journalism - there was a thorough debunking of Sawney Bean for example. CFZ assure me that there is a wide scope of contributors to their website (from the scientifically sound to the wildly esoteric) and asked me whether I would blog for them, which is something I would be happy to do. Here is their review, for

Fortean TimesImage via Wikipedia

which they have kindly allowed me to reproduce:



The Legend of Salt and Sauce: The Amazing Story of Britain's Most Famous ElephantsBy Jamie Clubb and Jim Clubb

Paperback: 148 pages Publisher: Aardvark Publishing Language English ISBN-10: 187290436X ISBN-13: 978-1872904368 Salt and Sauce were two Asian elephants owned, for a while, by the elephant trainer George Lockheart. They had been wild caught in the 1890s and brought by the legendary animal dealer Carl Hagenbeck.

They were part of a group of performing elephants known as the 'Cruet', others being called Pepper, Mustard and Vinegar. What made Salt and Sauce so special is the conflicting stories about their nature and the long life they spent together in zoos and circuses under differing owners. Ultimately they caused the death of two of their owners.

Father and son team of Jamie and Jim are well known in the zoo and circus world as experienced keepers, trainers and zoo historians.

In this unique book they have tracked down old photographs and records of the animals throughout their lives. They also interview folk who had first hand knowledge of the animals.

Some recall the beasts as unpredictable and dangerous, other as placid and loveable. What was the real story of the elephants that were known to have killed two men? Were they panicked into such actions, were the animals genuinely aggressive, or was it a case of poor training?

As a zookeeper myself and one who has lost a friend through an elephant attack, this proved to be a highly interesting book. Not only for looking into the circumstances behind the two incidents, but for the long and engaging story of the career of the elephants who were still working in the 1950s.

All in all a remarkable book in the same vein as David Barnaby's 'The Elephant that Walked to Manchester'. A must for all interested in zoo and circus history. RF



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Monday, 22 September 2008

Report on Kenilworth Book Signing


On 13th September 2008 I attended a book signing at Kenilworth library. The event was covered by the Kenilworth Weekly News. Please see a scan of the article below. Unfortunately the interview was conducted over the telephone, which meant some of the more confusing details regarding my book got a little muddled. Matters often get confused when I am promoting the book in Warwickshire due to the fact that Sam Lockhart, the brother of Salt and Sauce's most famous trainer, was a celebrity in Leamington Spa with his elephants.

Tuesday, 29 July 2008

Review for upcoming "Kingpole" Magazine


"The Legend of Salt and Sauce"
By Jamie and Jim Clubb
Published by Aardvark Publishing, 2008, ISBN 9781872904368, £20

This book's subtitle is "The Amazing Story of Britain's Most Famous Elephants". I am not sure that elephants have "fame" outside the world of those interested in circuses or zoos, but the book certainly lives up to the claim to be "amazing"! It is perhaps amazing that it is possible to produce a biography of two elephants at all so the authors deserve great praise for coming up with such a detailed story.

The attractive glossy paper cover of this A4 148 page book features the elephants themselves on the front, and an attractive Broncho Bill's Circus advert on the back with a few notes to put us in the picture, plus two recommendations - one from Nell Gifford and the other from Dr. Heather Valance. Thus, anyone picking up the book casually should soon be persuaded that this book is going to be a good read. As the blurb says, "Never has the story of their lives been told in its entirety. Until now…"

After a short prologue the story begins with a dramatic telling of a tragedy that occurred in Salt and Sauce's lives in 1904, resulting in the death of George Lockhart. It is proof that a good story does not always begin at the beginning, as describing this incident makes sure that reader comes face to face with the "amazing" qualities of the story without further delay. Once our attention has been grabbed the authors return to the chronological approach we would expect of a biography but we have to follow it with the knowledge that the heroines of the tale are as much the subject of "legend" as of truth.

The book therefore cleverly proceeds on two levels. On one level we follow the eventful and colourful life of two elephants - meeting many interesting human characters along the way. On another level we pursue a detective story - the Clubbs searching for the elusive truth. It is this constant attention to the business of disentangling the story while telling it that makes the book so fascinating. Only authors with an ability to penetrate the circus world could have dealt with such complexities.

The Clubbs are well served by the witnesses and archives that have been available to them. My only regret is that I was unable to "organise" a meeting between the Clubbs and John Swallow - the grandson of Broncho Bill. John had helped me explore a little of the story of Salt and Sauce when I had been researching a book in the 1990s. As a result of a misunderstanding I had the impression that he was no longer interested in helping anyone explore his grandfather's part in the story. The truth turned out to be that John Swallow was not well. Once I discovered this, and found out his new whereabouts I was able to send him a copy of the book. John died on Tuesday 15th July but I gather that the book meant a great deal to him during the last few days of his life - and helped him to connect with an enjoyable part of his past. Just before he died he wrote: "Now my two best boyhood pals are giving me thoughts about what I would have never have known about them."

John was a schoolboy when he developed his friendship with his grandfather's elephants and they obviously meant a great deal to him. The book shows that Salt and Sauce meant a great deal to lots of the people they encountered. Whether that is true of all circus elephants or whether Salt and Sauce were extra special you will have to judge for yourself, but the book will give you plenty of food for thought. So, once again I must congratulate the Clubbs, father and son, who have produced a book that lives up to its claim to be "amazing", creates an interesting tension twixt "fact" and "legend", and leaves the ready with plenty to think about. Read it and buy copies to give to your friends - it deserves a wide readership.

Ned Williams

For details on the quarterly publication "King Pole" please follow this link http://www.circusfriends.co.uk/kingpole.html

Friday, 18 July 2008

Signing and Review Updates


My parents' private zoo will be, for the first time ever, holding an Open Day for the general public to view their facilities on 21st August. Signed copies of "The Legend of Salt and Sauce" will be on sale, and my father and I will be on hand to answer questions. For further details on this exclusive event please call 07743905852.
We also have details of a signing in Wolverhampton, once home to Salt and Sauce, where I hope to meet residents who saw the two magnificent elephants walking their streets. Details below supplied by Ned Williams:
'13th November 2008: "Wolverhampton's Elephants"- the amazing story of Salt and Sauce....will be presented on Thursday 13th November at 6.30.pm at the Light House Cinema, Wolverhampton, byJamie and Jim Clubb, authors of a new book on the subject.The event is jointly presented by the Black Country Society and the Wolverhampton History & Heritage Society and will be chaired by Ned Williams, President of the BCS.The evening will include visual material, hopefully including material on film relating to circus elephants.Admission (at the door) £1'.

And finally the 1st July edition of "Circus Report", an American publication, has a glowing review of "The Legend of Salt and Sauce" by Don Stacey. Stacey said "I can't rate this book highly enough" and praised my father and my "meticulous research". Hopefully this will generate interest in the USA where the tradition of elephant training is now much stronger than it is in the UK.

Wednesday, 21 May 2008

No Absolutes!


When I first made the decision that my story, "The Legend of Salt and Sauce", was going to be a book I thought it would be finished by 2002. Sure enough, by this time we had enough information to produce the life story of these two famous elephants. We knew where they started off, the names of all their owners, how one of them died and, so we thought, how the other died. We also had some good photos. However, as I sent off my proposals to various publishers we started to uncover yet more information. The story changed - not only the content, but my writing style too. As time went on I started hearing words of advice like "you must have a cut off point" - mind you, this was coming from someone who had surpassed Dr. Johnson's ten years in writing his book and five years on he still hasn't had it published! I began to realize that writing an historical book despite having its strict parameters was a completely organic process and one where it was not easy to estimate when its "life" would end.
As time went on I met some terrific writing coaches who helped me develop my writing style. As in the writing of any book, a huge amount of time was put into refining my writing style and then into editing. Please read my friend Geoff Thompson's philosophical article on this particular area, "There is No Such Thing as a Locked Script" http://www.geoffthompson.com/detailArticles.asp?id=86 My book changed from its initial conception, as a type of "Pulp Non-Fiction" (this style is retained in the book's prologue), to being a first person narrative of my father and my investigation into the story of Salt and Sauce (this is retained in the book's footnotes, introduction and afterward), and then finally into the book that it is today - a straightforward fact-based biography. The people who enabled me to take this route were Jonathan Burt, a social historian and author, Laura Longrigg, a literary agent who noticed that I had become infected by the Victorian writing style of the material I had been researching, and Ian Lewis, a retired teacher who did a tremendous amount of kind work for me.
Now, this is just the writing side of things. The trouble with history is that the content is also very temperamental. New evidence crops up all the time. And it was this side of things that became a constant source of jubilation and frustration. By October 2007 I was happy that I had researched all that needed to be researched. I had covered every important area of the elephants' lives that needed to be covered and I had all my sources noted and verified as far as practicable. The story was completely finished. I was happy with how it read. Now my father and I were completing the final tasks. We were listing all the photographs, putting a timeline together for the elephants lives and writing the introduction and afterward. We had a deadline and we were assembling everything to be sent off on time. The book was scheduled to be published by March with the first proofs through by January. Then, the emails came in. Emails from family connected to people who had owned the elephants. These people had more information that filled in gaps, presented new interesting and related anecdotes, and even new photographs. They had to go into the book.I worked hard to include the new material and photographs and still felt that I would make the deadline. As it turned out my publisher moved the deadline back, so I need not had worried at that time. After doing all this I began work on this blog with the very kind help and coaching of historian/author, Heather Vallance of http://www.penandspindle.blogspot.com/ I also started promoting elsewhere to garner local support. The next thing I knew Robin Stott a local historian was in contact with me regarding Sam Lockhart, the elephant training brother of George Lockhart, one time owner of Salt and Sauce. He gave me more information for my appendix on Sam, which I hurriedly included and begged my publisher to include. It made it to him on the eleventh hour. I sent Robin my completed appendix, but there was yet more information he had and a few errors in the appendix. This time my publisher could not allow it and this will be reserved for the second edition of the book.In my introduction to "The Legend of Salt and Sauce" I wrote that my book was not intended to be the "final word" on the lives of Salt and Sauce. Now I realize the weight of that statement. Over the past two years I have become more sceptical in my nature, which has been quite a liberating process. I have come to understand something that I have pondered for most of my life: there are rarely any absolutes in anything. It is a bitter pill for many people to swallow, but when you are in the field of history or science it is essential that you understand that research goes on and that even so-called facts are temporary conclusions. We need to embrace the idea that our work will attract constructive critics who will add to our research and present new information.
I carry this same concept over to my martial arts/self-defence classes. By not listing any techniques in my grading syllabus we have created an atmosphere of constant questioning, researching, testing and individualistic development. Nature seems to tell us that everything changes and develops or it dies. The same goes with history and science, however, this changing should only happen through objective research and the presence empirical evidence. Therefore it is fine to say "that's just a theory", but the theory with the most evidence temporally prevails.
The human desire for knowledge, however, is all too often checked by the human desire for assurance. This is why it is very easy for scientists, historians, religious people, politicians, philosophers and academics of all descriptions to rest on their laurels or become immovable in the face contradictory evidence. The same passion that drives assurance appears to be similar to the passion that drives belief in the improbable. Conspiracy theorists, alternative historians, pseudoscientists and their ilk are all driven by the need of wanting something to be true. We can all empathise with this feeling, so we should perhaps be a little wary of being too scornful of such "believers". I doubt there are many people who hear about the latest reports from Mars and don't get excited about the idea of there perhaps being "signs of life" - anything, please, a fossil of an amoeba will do.
However, being sceptical and accepting the concept of change is exciting too. In fact, it is through this questioning and progressing procedure that exciting prospects and new levels of awareness are initiated. An old maxim of mine was "love the flower but respect the root" and now I see that perhaps I might become a root. I remember getting quite frustrated with a lot of my original sources - books like George Lockhart Jnr's "Grey Titan" - and say "this bloody thing led me completely down the wrong road altogether". However, looking back it did present me with some fairly sturdy facts that actually gave some structure and helped fill the first third of the book - which doesn't even cover a decade - with vivid first hand accounts that were rarely equalled. There may come a day when an historian, who is interested in the areas of my research, picks up a copy of "The Legend of Salt and Sauce" and says "look how far we've come on from this". Putting my ego to one side that is a day the true historian in me wants to happen.

Saturday, 22 December 2007

Ivor Rosaire: Hero of "The Legend of Salt and Sauce"


The 24th December 2007 marks the second anniversary of the death of Ivor Rosaire, a legendary figure in the circus world and a key character in my book “The Legend of Salt and Sauce”.

In 2002 I finally made the decision to meet Ivor Rosaire. Ivor was the last living person to have been involved in the presenting and training of Salt and Sauce the elephants, the focus of my book “The Legend of Salt and Sauce”. By all accounts he was an extraordinary individual, even by the standards of his profession and the circus family he was born in to. According to the author, Rupert Croft-Cooke, who spent a great deal of time on the Rosaire’s Circus and wrote three books on the family; Ivor was “the best showman of Rosaire’s Circus. Confident, with a little amiable vanity, as though he is aware that women in the audience consider him a handsome fellow, he yet succeeds in getting everyone’s attention for Salt and Saucy, who move with trundling certainty through their series of tricks. They stand on two legs, squat on their vast haunches, and one of them, to the delight and alarm of the audience, carries Ida round the ring in her mouth. Ivor, in breeches and a sun-helmet, directs them coolly and takes his applause as his two lumbering charges leave the ring”.

My father and I went to visit Ivor when he was still living at Billericay at the Rosaire’s old circus winter quarters, now the permanent home of his niece Joan, a hugely respected horse trainer in her own right. Joan set the meeting up for Dad and me. Dad knew “uncle” Ivor, as did most circus people of his generation. Ivor had always been seen as dynamic figure in the circus world. He was known to be very amiable and with a good sense of humour, but also a straight talker and a tremendous fighter. He and his brothers had boxed in the circus ring since the age of eight, often having to fight each other when no other youngsters came forward for a bout – this would have been in the very early 1920s.

After settling down to tea with Joan, a loud and expressive voice heralded the arrival of Uncle Ivor. My first impression of him was of a man who had lived life to full and, now in his nineties, had no intention of letting anything get in his way. He had recently broken his hip, but this did little to worry him. His walk was confident, even if slippers adorned his feet. He was smartly turned out. “Do you like my shirt?” he asked not long after we exchanged greetings. It was in the cowboy style, a fashion very common with circus artistes throughout the Salt and Sauce era. His long grey hair was pulled back into a ponytail: “I am an old age pensioner”, he proclaimed in defiance, “and they wanted to charge me £9”. After a few jokes and the obligatory teasing that goes on amongst any close-knit culture, we got onto the business of the interview, the full results of which you can read in “The Legend of Salt and Sauce”.

Here is a short excerpt:

“Ivor Rosaire was born on 8th July 1911 in Pontefract, where Rosaire’s Circus was showing. Ivor grew up into a proud, powerfully built, chestnut haired man who seemed as much at home walking into an acrobatic act, stripped to the waist, as he did when immaculately attired in safari style breeches, long boots, shirt and pith helmet. e was never photographed in the circus ring nor on stage without a confident showman’s smile stretched across his face. It was such charisma that made him shine out even among his colourful signally impressive brothers and sisters.

He claimed he was never taught anything in his life. The only person he ever credited for influencing him in any way was Jimmy Fossett, who was the son of the original ‘Sir’ Robert Fossett, the founder of Sir Robert Fossett’s Circus. Ivor claimed Fossett had helped get him over his hesitation in throwing a back somersault off a table”.

Ivor was already an accomplished artiste by the time John “Broncho Bill” Swallow joined Rosaire’s circus as a business partner in 1933. Swallow brought along his two elephants as a major incentive to help the small family circus grow, one of the very few things left over from the weekend he auctioned off his circus in 1930. Before Swallow joined Rosaire’s Circus they had been an almost completely family-run enterprise with members of the family working in nearly every single act. This was the way Rosaire’s circus had formed. The “Count” and his “Countess” had grown their circus from a small sideshow act, appearing in music halls and on fairs into a full family affair, bringing all their children up in their enterprise. They had suffered incredible hardships, losing plenty through the First World War, but had persevered and attracted the attention of two very notable authors, Ruth Manning-Sanders and Rupert Croft-Cooke, both who spent a considerable amount of time living on their show.

Ivor took over the handling of Salt and Sauce when one of John Swallow’s grooms left his employ to start a family – in fact, according to Uncle Ivor, the family had already started ahead of time and the groom had to rush back home and do the decent thing! It wasn’t long before Ivor was presenting the act, as Swallow’s health deteriorated and he lost his main presenter the South African sharpshooter, Charles Van Niekirk. Presenting and eventually training elephants would become Ivor’s niche. He always remembered Salt and Sauce as his favourite elephants, even after the day Salt killed one of her grooms in 1937. Ivor also influenced John Swallow to adopt a new routine for Salt and Sauce to perform: the tableau act. This classy performance involving dancing girls (Ivor’s sisters and later Clara Paulo) had been inspired by an act given by Charles Schmidt at the Agricultural Hall Islington.

Not long after Swallow left Rosaire’s Circus, Ivor joined him on Paulo’s Circus in 1939 and continued presenting the elephants before his papers came in and he was sent to fight in the Second World War. Ivor was made a sergeant and a PT instructor. However, he was to see Salt and Sauce again. After being discharged he worked in a barrel act (an acrobatic number) on his parents’ show before being employed by “Long” Tom Fossett to bring his old friends out of retirement. John Swallow had died in 1945 and his elephants had passed to his son who donated them to Dudley Zoo. For a year they had stayed at the zoo, where no-one had been able to handle them and legends amount their infamy had spread. Then Tom Fossett had decided to bring them back out on the road again. He bought them from Dudley Zoo and Ivor Rosaire was brought in take them back through their old routines. It was a successful move and Ivor presented them on Fossett’s Ringland’s Circus before Tom Fossett’s son, Dennis took over.

From the postscript of “The Legend of Salt and Sauce”:

“[Ivor] went back to work with his sister Zena again in 1948 as a barrel jumper in the act “Jumping Ross and Partner”. He also became a part of the aerial act, “The Flying Desmonds” that same year. His skills as an elephant trainer were required again when Chipperfield’s Circus booked him that Christmas at Bingley Hall in Birmingham. He took the group on the continent for the next three years and worked with Chipperfields in England until 1954. During his time there he worked an act of sixteen elephants and also, at one time, a group of five bull elephants. In 1957 he was back working for another branch of the Fossett family presenting five elephants. Their show was known as ‘Sir Robert Fossett’s Circus’. He worked there until 1965.

This act became one of Britain’s most famous elephant acts and Ivor one of Europe’s most celebrated elephant presenters. Knowsley Safari Park called upon his skills and knowledge in elephant care some years later. He eventually retired to Billericay, Essex when his wife, Lucy, became ill. He celebrated his ninetieth birthday in 2001. He won the Circus Friends Association Lifetime Achievement Award that very same year. In 2003 he was interviewed at the Circus Friends Association’s annual general meeting, where he gave a talk in front of a packed house on his experiences with elephants.

He later broke his hip and moved to live in a nursing home close to his daughter, Juliet, in South Harrow. Despite suffering a few health problems, Ivor continued to be a stubbornly independent and a hugely respected man in the circus industry. He eventually died on Christmas Eve 2005”.

I feel very privileged to have met Ivor Rosaire. He was the only person I have seen who corrected my father – “shoulders back!” was his remark to Dad just before we went to leave Billericay. Dad laughed and agreed he needed to work on his posture. A year later I would feel like a bodyguard to “Uncle” Ivor at the Circus Friends Association AGM. We had our only photograph taken together, where I too sported a ponytail – it was purely a coincidence (the hairstyle was a leftover from when I presented my Gothic martial arts act), but it felt like a type of tribute to this heroic figure in the circus world. Looking at the lawn outside the venue where the photograph was taken, on a sunny day, Ivor remarked “a few years ago and I’d have thrown a roundoff/flipflap/back somersault over there”. It was a sweet reminiscence, but I never felt that Ivor neglected the present. At the time of the interview Ivor had already been training his granddaughter tumbling and a year previously he had visited his brother Derrick in America. Ivor Rosaire was an example to us all, a man who exemplified Timothy Leary’s “correspondence theory”: he lived for the present, eyes towards the future, but with a firm grasp on his past.

Monday, 17 December 2007

Who was Wilhelm Philadelphia?



The expression "celebrities in their day" can be aptly applied to many of the characters I have researched for my upcoming book "The Legend of Salt and Sauce". The two elephants themselves were described in one objective contemporary book as currently the most famous elephants in the UK when barely a decade later, Sauce's name was changed to "Jumbo" to garner public attention on Cody's Circus. The name was to be changed back again to Sauce or "Saucy" by Billy Butlin her final owner when she appeared at his holiday camp in Skegness. However, one character who certainly seems to have been well known in his day, but there is little surviving evidence of is Wilhelm Philadelphia. The man has the recognition of being Salt and Sauce's first ever trainer.




In his book "Grey Titan: The Book of Elephants", George Claude Lockhart, the famous ringmaster, described the troupe of elephants his father purchased as being "wild". Apparently the marks of their rough handling in India were visible on their legs. This wildness is given as a reason for why they were so unruly during the 18 months or so his father, George William Lockhart, trained and presented them. The fact of the matter is that George Snr would have had to have been an incredible trainer to put wild elephants through the routine they are pictured doing with him in the short amount of time. There is also one other factor that counts against him being the elephants' first trainer and that is the credited presence of Wilhelm Philadelphia. George Jnr. names him in his book and in other sources as the man responsible for delivering the group of four elephants. Young George also remarks that Philadelphia had previously been injured by elephants and his body contained steel plates as a result.

Other historical information later revealed photographs of Philadelphia pictured with a lion and then we found another piece of compelling evidence - Philadelphia lining up a group of four baby elephants at Hagenbeck's Zoo on a photograph dated 1900. He was clearly a well respected and experienced elephant handler.

The fate of Wilhelm Philadelphia is not clear. Here is the footnote I wrote for "The Legend of Salt and Sauce" on the man:

"I recently discovered a fairly objectively written piece on the keeping of elephants in captivity on the “Elephant Country Web” website http://www.elephantcountryweb.com/ that lists several examples of people killed by elephants. One of these people, according to the article, was Wilhelm Philadelphia. The article states “Ross, the cow elephant, crushed the trainer Wilhelm Philadelphia to death on the wall of her box at the Sarrasani Circus in 1921”. The date, of course, contradicts the archival information we have on Philadelphia’s appearances on Ringling Brothers Barnum and Bailey Circus".




Tuesday, 4 December 2007

The Indian Elephant: Wild and Domestic (Deleted Chapter from "The Legend of Salt and Sauce")


The following is an early version of a chapter I completely re-wrote for my book "The Legend of Salt and Sauce". Salt and Sauce were Indian elephants not, as it is occasionally been stated, Singhalese. The Asiatic elephant was, up until the 1960s, the most popular type of circus elephant. The large African counterpart (Loxodonta africana) only became popular in the later 1960s onwards.


The Indian Elephant: Wild and Domestic

Most historians begin the Salt and Sauce story from their arrival in Brighton, when George Lockhart Snr, the elephant trainer, took delivery of them. Yet the two elephants had already passed between at least two countries before they arrived in Britain and had been through at least one other trainer’s hands. I thought that if I intended to do as thorough job on the history of Salt and Sauce as possible, I could at least spend a chapter looking at their real roots and the institutions that were responsible for their capture and exportation. After all, Salt and Sauce were not born into the lively Victorian theatres or travelling circuses they would be forever associated with. Their lives began as newborn members of a herd of elephants in the jungles of India.

Elephas maximus, otherwise known as the Asian or Asiatic elephant, has been captured and domesticated in India and its surrounding countries for centuries. Generally speaking the Asian elephants’ temperaments prove to be far calmer than their African counterparts, which make them safer to work with. In addition to this, the two species have a few physical differences as well. The most obvious of these is that the African elephant, or Loxodonta Africana, has comparatively far larger ears than its Asian cousin and is also noticeably bigger in stature. Another conspicuous distinction between the two is that the African has a convex forehead, whereas the Asian has a hollow space at the top of its skull. On closer inspection we see that the African elephant also has three nails, known as hooves, on its rear toes compared to the Asian’s four, sometimes five rear toe hooves. Just for the record both elephants have five hooves on their front toes and both possess huge, wide columnar-shaped feet.

The modern-day elephant originated in Africa and are of the family Elephantidae.
They evolved from a semi-aquatic plant-eating African species called Moeritherium, which lived over forty million years ago. These creatures were pig-like in appearance with long bodies and short necks. Popular theory has it that as they increased in height Moeritherium found it more difficult to eat plants and therefore developed their upper lips and noses into trunks.

Around forty five million years later the animal had evolved into a creature known as Stegodon, which resembled the shape of the modern day elephant. There were still further biological developments for the animal to undergo and the most celebrated variation of the order was the enormous Mammoth. This fifteen-foot tall behemoth, believed to be the ancestor of the Asian elephant, lived up until nine or ten thousand years ago, when either through a dramatic climate change or excessive hunting by man the species was wiped out. At the time of writing scientists are attempting to clone a mammoth using genetic material from preserved remains and a current day female Asian elephant.

Elephants spread throughout Europe, Asia and North America. Over two hundred and seventy species of elephant have said to exist, of which the African and Asian are the only surviving members. Popular theory has Elephas maximus first occurring in Syria, Iraq and southern Asia. Today their wild numbers are restricted to the Asian continent, where large numbers have been captured and trained.

The female or cow of the Asian elephant species is a natural herd animal, living in large groups sometimes reaching a hundred members, but most commonly between fifteen and forty. One dominant female leads the group. These herds are proof of the extent of the species’ intelligence as their movements are thoroughly organised. Sometimes the herds divide up into sub-units and at other times they converge en masse into one large “clan” that can amount up to two hundred elephants in one area. This is quite different to the males or bull elephants, which are usually quite solitary once they have hit puberty; although they have occasionally been known to form small “bachelor” groups.

The Asian elephant has a head and body length measuring between 550 and 540 centimetres and the height from the shoulder to the ground measures between 250 and 300 centimetres. Males weigh over 5,000 kg and females, just less than 3,000 kg.
The animal’s entire body is covered in a thick grey to brown hide, occasionally mottled about the head, trunk and chest with flesh coloured blotches. The skin, which is surprisingly sensitive, is scarcely covered by long bristly hairs.

Evolution doesn’t seem to have been generous with improvements on the modern-day elephant. The short-necked Moeritherium’s ghost can be seen in the restricted head movements of the animal. Of its seven neck vertebrae only three are functional. Another biological shortcoming of the animal is its digestive system. The elephant can only digest forty-four per cent of what it can eat, which explains its consistent devouring of food all day long.

The elephant is not only unique in the respect that it is the largest land animal alive; it also has other distinguishing features, the most unusual being its trunk. This highly adapted prehensile part of the animal’s face is used not only for breathing but also as a highly effective tool. The trunk is long, flexible and strong. It functions like an extra limb and picks up food that it pushes into its mouth, or dirt that it throws over its back also as a method of cooling down. At the end of the trunk there is a small finger-like part that is sensitive enough to pick up very small objects. The trunk is also able to suck up water and spray the elephant’s body when it bathes.
Another outstanding feature of the species is its tusks, used both for digging during draughts and as weapons when fighting challenging elephants. Because of its tremendous size, weight and strength, the elephant has few natural predators. Tusks are most noticeable in the male elephant, but females also have them, albeit generally a shorter version. In places such as Sri Lanka, males rarely have them and the females never do. Ironically this lack of a defensive tool protects the Sri Lankan species from the elephants’ greatest enemy: Man.

The trade of ivory has been one of the most dramatic impacts on the lives of elephants. Large amounts of their wild number were hunted for their tusks, which reached high prices all over the world for the various ornaments and furniture that can be carved out of them. This large-scale destruction reached its zenith in the early nineteenth century, resulting in a huge reduction of numbers in Sumatra, Thailand and the Malaccan peninsula. In addition to this the increasing population of humans brought man and elephant closer together in a rather less than friendly relationship. Over the centuries the Indian wild elephants were pushed back into the jungle as their natural habitat became destroyed. In response to the human intrusion considerable numbers of elephants wrecked farmland, causing major economic problems within the native crop industry. The danger of these rampaging herds was quite significant too. Even as late as 1989 it was reported that between 100 and 150 people were killed annually in India during elephant crop raids. The humans reacted to the problem with one swift solution; the animals were culled. As a result of this and the ivory poaching, today elephants are a registered endangered species.

However, elephants have been a part of Indian culture for almost as long as there has been civilisation in Asia. You only have to look at images of the Indian Hindu god of prophecy, Ganesa, who is represented with an elephant head, to see the cultural regard such a creature is held in. The tradition of capturing them from the wild goes back at least 5,500 years and its origins can be traced to the historical Indus Valley.

The process of capturing these magnificent animals was an operation steeped in ritual for the villages that took part and became their sole means of profit. The trap the elephants were herded into was a fenced-in area known as a Keddah. It stood four metres high, surrounding an area of more than a kilometre and a half. This fence was made up of tree trunks sunken two and a half metres into the ground and lashed together by ropes and jungle creepers. It had a huge V-shaped entrance where a heavy trap door was positioned above the herd’s eye view and held in place by thick ropes that were tied to trees ready for the gate-men’s sharp knives to sever. Time passed and the monsoon season came, bringing rain that had washed the scent of man away from the Keddah, making it look as if it were a natural part of the jungle.

Scouts who made their living by delivering information to Keddah contractors were sent out into the jungle to observe herds of elephants as they drew nearer to the trap. Eventually news arrived at the Keddah village that a herd of elephants had moved into position.

One day in around the year 1901 the herds Salt and Sauce belonged to were startled by a gunshot and the sudden presence of humans – thousands of them. In blind panic the animals charged through jungle undergrowth towards their orchestrated capture. Onward they ran finding themselves heading for a series of bamboo-bridges strategically positioned ahead. As they crossed, two huge walls of fire, lit by the bridgemen, sprung up around them to narrow their passage.

Having lit the fires, the men who had been honoured with this task rushed away, as the bridges themselves erupted into flames behind the charging herd of elephants. Escaping the blaze the herd would rush through the Keddah’s gateway and into the awaiting darkness. With split second timing the ropes would be cut and the trap door dropped sealing their fate. From here the village would select appropriate elephants and release the rest.

The chosen elephants would be trained in basic obedience and then be auctioned off to various purchasers. In most cases the elephants were used to transport teak logs down the Indian rivers, as general beasts of burden and also as steeds for hunting. The elephant is a majestic looking creature and royalty, along with other people of high standing, ride on top of the animals in richly decorated howdahs. In addition to this, they are raced and there are historic records of huge amounts of Asian elephants even being used in battle from 1100 BC to AD 1500.

It was in this country that the traditional industry of capturing wild elephants in some way contributed to keeping the animal away from the threat of extinction. Before the days of funded conservation, the only way to prevent mankind from wiping out endangered species was if that species became a desirable commodity alive. So long as these animals were needed as beasts of burden or ceremonial showpieces their species would remain. There was also another institution where man would have a large place for elephants: the world of entertainment.

The mid-nineteenth century saw an increasing interest from Europe and America to see live elephants as well as other Asian and African animals. These unusual creatures were now being transported back to the menageries and circuses that were fascinating the western world. By touring, these shows were bringing animals, normally only seen in zoos, to a far wider audience. Soon western adventurers were going out on safari to bring back exotic specimens for the growing demand back home. As contact with foreign animals grew, so did public sympathy. Even during the regency era, when ivory was in incredibly high demand; the elephant touched the hearts of celebrities such as the poet, Lord Byron. He remarked once on his happy experience he had visiting the London Tower Menagerie when the resident elephant enchanted him. Byron, like many others, kept a small private collection of exotic animals and was famed for sharing his university boarding quarters with a trained bear.

I am not about to argue that the people who caught, sold and bought elephants did it consciously to preserve these animals. However, I think it is interesting to note that after the potential threat of having the entire elephant species wiped out by the ivory fashion; man’s tastes once again changed the course of natural history.

During the 1880s huge numbers of elephants were being exported to the west. As animal husbandry improved so did the elephants’ survival rate. Once they arrived they had to be fit enough to be exhibited. Those who had the ability to organise the successful selecting and importation of large numbers of elephants could more or less name their price to huge circuses such as Barnum and Bailey’s in America. Elephant trainers began to come into their own, making their fortune by presenting these gigantic creatures.

The elephant would soon replace the horse in becoming the most popular animal in the circus. Words such as elephantine and mammoth would enter the English language to describe great size. Even the English word “jumbo”, meaning huge, came from the legendary circus and showbusiness pioneer Phineas T. Barnum’s gargantuan elephant of the same name.

The female elephant calves soon to be known as Salt and Sauce, along with two others who would share equally eccentric Cruet names, “Mustard” and “Pepper”, were destined for to be sold to the entertainment history. Soon they would be cruelly removed from their mothers and the rest of the herd, but mercifully saved from a possible fate with a poacher’s bullets. In such cases the lucky ones would die, whereas the wounded would be left to a lingering death caused by infection and starvation. Man was not their only predator either. The hot humid weather of Southeast Asia presented ideal conditions for the breeding of parasites. Such diseases as these thrived within the Indian jungles and swamps, where elephants frequented. We know for definite that such a disease already had infected at least three of these baby “Cruet” elephants.

Perhaps the four calves were related or maybe they were caught on separate occasions. We will never know. One can only imagine the frightened animals listening as all around them the Indian village began celebrating as the sun rose over their Keddah after a successful elephant catching operation had been completed. Being very young it is unlikely that their captors would have bothered training them. Such attention was normally reserved for the older elephants. They were displayed, still wild, in front of many bidders and traders that came to India.

Amongst these people was an agent for the German animal trainer, zoo-owner and catcher Carl Hagenbeck. Hagenbeck was born on 10th June 1844, the son of a fishmonger, who almost by accident had chanced upon the wild animal trade. Over the years Hagenbeck had carried on his father’s business, building up zoos around Germany and also running circuses. He was amongst the first trainers who advocated what he called the “gentle” or “gentling” methods in training animals. This food reward system would be the foundation to what would much later be known as “positive reinforcement” training and was soon readily picked up after his high-profile international demonstrations in the 1890’s. This was in opposition to the aggressive methods often used by wild animal exhibitors, which pretty much amounted to fighting the animals on display.

The reach of Hagenbeck was considerable. He had a number of experienced and famous animal catchers on various assignments all over the world tracking down large quantities of animals for zoos, circuses, menageries and various other exhibitions. However, it was the considerable popularity of the elephant in late nineteenth century England and America, which helped push his business to new heights. At the turn of the century such success was demonstrated in his buying of a new four and half acre property in Stellington near Hamburg. Hagenbeck had gradually outgrown each of his zoos and had helped revolutionise the care in captive animals in the process. He transferred everything he had from his old zoo in Neuer Pferdemarkt to the new location and, with the help of investors, bought land in-between Hamburg and Stellington. This would be a new beginning for the zoological pioneer as he rose to international success in the captive animal world.

His new zoo opened in 1902. This was the same year that he sent his elephant man, William Philadelphia, to Great Britain with the future Cruet members. They arrived at the doorstep of a very unique individual. This man was a true representative of the Hagenbeck-style of training and also an innovator in his own right. At different times both this man and his brother would be given the title “the greatest elephant trainer that ever lived.”

Previously he had purchased his first elephants whilst in Asia and was credited by some press as starting the elephant craze in Europe. Americans were also accused of trying to imitate his elephants’ comedy and musical routines. According to newspaper reports of the time, because of this man, agents were “scouring” the continent in order to find acts containing elephants. Perhaps he was indirectly responsible, in part, for the numerous elephant orders Hagenbeck was now getting on a regular basis.

Two of the four members of the Cruet would be connected with their new owner’s name for the rest of their lives and over half a century after his death. They would be known as Salt and Sauce. Their relationship with him would result in both their fame and their infamy, for they would be both his protégés and his killers. And this was only part of what the future held for them as they stepped out of the remains of their wooden containers and into the life of George William Lockhart.
©Copyright. Jamie Clubb 2007